Komitas Vardapet
Composer and musicologist Komitas Vardapet was one of few to survive the exile of 800 Armenian intellectuals in April 1915.
The Nazi camps and ghettos saw the emergence of a wide range of topical songs that addressed the immediate experiences and conditions of internment. These compositions, often set to familiar melodies or created entirely anew, served as a form of oral history and social commentary. They covered a range of subjects, from the mundane aspects of daily life to more severe topics like hunger, disease, and the constant threat of deportation.
In ghettos like Lodz and Vilna, songs about food shortages, the cold and forced labor were common. The Warsaw Ghetto produced numerous songs chronicling resistance efforts. In camps, inmates composed pieces that subtly critiqued their captors or bolstered morale among fellow prisoners. Yiddish, as well as other languages, featured prominently in these musical creations. While some of these songs survived through oral transmission or hidden written records, many were lost. Those that remain provide valuable historical insights, offering a unique perspective on how individuals processed and documented their experiences through music during this period.
Composer and musicologist Komitas Vardapet was one of few to survive the exile of 800 Armenian intellectuals in April 1915.
In Arnold Schoenberg's twelve-tone work entitled ‘Survivor from Warsaw', Schoenberg presents the audience with a representation of the Warsaw ghetto Uprising.
In Different Trains, Steve Reich presents an account of the Holocaust that mixes his memories of being a child in the 1940s with child-survivor testimonies.
For better or worse, BBC radio was the dominant voice of Britain throughout WWII for which classical music was an important and revealing feature.
Karl Amadeus Hartmann was a socialist German composer active during both world wars. He studied under a number of leading musicians, including Joseph Haas (who
Political regimes use hymns as symbols of their values and aspirations. While France was divided by the war, it adopted three anthems between north and south.
For many Jewish composers, the rise of Nazism presented a stark choice: stay and submit to an unknown future in an increasingly hostile regime or go into exile.
Brundibár is a children's opera written in 1938 and composed by Hans Krása with lyrics by Adolf Hoffmeister. Its premiere in Terezín was on 23 September 1943.
Bunalied was written in mortal danger in the Buna-Monowitz subcamp of Auschwitz with lyrics by Fritz Löhner-Beda and music by Anton Geppert.
'Heveti shalom aleykhem' (I bring you greetings of peace), also often titled in the plural, is one of the best-known and -loved Hebrew folk songs. In this rare recording it is sung by surviving Polish children in postwar France, in a recording taken by the Latvian-American psychologist David Boder in September 1946.